Robert Wilson Chairs, Jeweled Tables, and More Design Finds

Photo: Gabriel Spence / Courtesy of the exhibition hall

Two vintage mergers dealers have joined forces (and collections) to open the exhibition hall,, A space of appointment only in Nomad. Like many design exhibition halls these days, it has been staged as if you had entered an apartment scrupulously stylish and extremely well organized. Nordic studio focuses on the conceptions of the 20th century, from the native Sweden of the founder of the founder Therés Lorén. Carly Krieger, Lorén Past Lives Studio Collaborator, throws a wider net, the supply of restored furniture from the 19th and 20th century – including but not limited Modernist Art Nouveau, brutalist and Italian movements. His philosophy is more the patina, the better. From the Krieger collection, a brass table lamp with A robe-fringe shade By Hans-Agne Jakobsson Perche next to the studio fiberglass coffee table Tetrarch Tableclothwhich looks like a white sheet floating sheet floating in the wind. Contemporary works are sprinkled among the The older parts of the exhibition hall: Cuff studio reinvents the conceptions of retro furniture, like a whore chair and a lounge chair and fake-Fure of catering chairs, which are all made in Los Angeles, where the company is based. Open appointment Monday to Friday.

Photo: Gabriel Spence / Courtesy of the exhibition hall

Photo: Harry Matenon / Courtesy of the artist and twenty first galleries

Artist Erwan Bouloud Presents 15 new works at the “time of touch”, in Tribeca Twenty first gallery. It is the first solo show by the French designer in almost two decades. The influences for Bouloud furniture range from the solar system to medieval jewelry and even to microscopic images of cells, and these are quite visible in finished works. A decadent console With brass marquette and integrated precious stones is attached in a pattern of bark shapes. Her Rock -shaped steel coffee tableRoeco, is laser cut on top and carved with radiant lines; Sapphire jewels sunk in the center of each ripple. Bouloud, a “self-proclaimed firm promoter of 21st century craftsmanship”, creates these effects by mixing traditional techniques with new technologies, for example in 3D printing a set of cocoon-shaped bronze loops, a form which, according to the artist, would have been impossible otherwise. But it’s elegant from Bouloud, Heavy mechanical lamps This call to me the most: the high -end shades of venous milky albaster stone are held right by arms and bases in fascinated steel. Ends on May 16.

Photo: Harry Matenon / Courtesy of the artist and twenty first galleries

Photo: Harry Matenon / Courtesy of the artist and twenty first galleries

Photo: Harry Matenon / Courtesy of the artist and twenty first galleries

Photo: Lucie Jansch

For the theater director Robert WilsonThe chairs he designs for his productions are neither accessories nor seats. They are essentially sculptures – some functional, others not, such as a network metal chair Made to launch the shadow of Time, suspended in the air and lowered through the three acts of its production on the life of Sigmund Freud. Five decades of such chairs are exhibited in Soho in Reasoned Gallery and printed as a rigid cover book, with photographs of Martien Mulder. The materials go spectacularly: bamboo, steel, iron, brass, even a single taxidermia leg. For their collaborative production The life and death of Marina AbramovicWilson made Marina Abramovic a rocking chair that is based on what seems to be wooden blades, and for its version of the Italian opera Ally, He made King Crocodile (an anthropomorphic king condemned) has throne This makes an incredible use of bamboo, with polished slats, ribbed back legs and bamboo which is in ribbon, stretched and stretched to create a seat. Reasoned is open Tuesday to Saturday. Pre -order book here.

Photo: Lesley Leslie-Spinks

From left to right: Photo: Jeffrey Graetsch/Courtesy of RaisonnéPhoto: Martien Mulder/Courtesy Raisonné and RW Work, Ltd.

High: Photo: Jeffrey Graetsch/Courtesy of RaisonnéPhoto: Martien Mulder/Courtesy Raisonné and RW Work, Ltd.

Photo: Matt Harrington / Gracious Ashlee Harrison /

Marking another gap in “white cube” format, conservative Ashlee HarrisonA former director of the Carpenter Workshop, created a private exhibition, only on the appointment and a living room in a historic brownstone of the Upper East Side-do not call it a gallery, she says. The show will host events and not just static works, and Harrison plans to animate it by discussions, dinners and readings in the evening. His first solo-artist showcase there, “Through the Looking-Glass”, presents an Italian artist Irene CattaneoWHO explore themes of Alice in Wonderland in the exhibits. The flowing bronze lamps roll up and adhere, and a bronze chandelier seems to germinate with the roof, with shimmering floral buttons at the ends. In his Murano glass lights, you can also see evidence of the artist’s relocation to Venice in 2021. Elsewhere in the house, an imperial marble basin flat from the wall and a pearl bronze lamp imitates a snake surrounding in itself. Alongside the Cattaneo pieces, Harrison has set up other works, from emerging artists to the first -rate giants exhibited, notably Thomas Barger resin coated California designer chair, California designer BG Robinson Neo-spatial age aluminum and fake-Fur leding and the wall works of Matisse, Warhol and Tom Wesselmann. Gallery meetings can be made via e-mail. “Through The Looking Glass” ends on April 30.

Photo: Matt Harrington / Gracious Ashlee Harrison /

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